By popular demand, I’ve dropped the ZIP’s and added MP3s for the Jim Keltner post I did a few months back.

My set of tunes featuring Steve Gadd was so well received I thought I’d dive into a series of posts featuring great session drummers. Here’s a (short) dozen from Jim Keltner.

Steely Dan – Josie (Aja, MCA, 1977)

This should probably be the finale in this set, not the opener. Notoriously finicky, Becker and Fagen put Keltner to the test on this one and he scored an “A”. Block out everything and listen to the high hat work – he mixes eighths and sixteenths from measure to measure with the grace of a Jack DeJohnette.

Leon Russell – Lay Right Here In Heaven (Will O’ The Wisp, Shelter, 1975)

This copy is a little too dirty to hear the nuances but it’s still a great groove: “Sometimes I feel like bitin’ your toes, heaven knows, anything goes”. Keltner actually shares the drum credit with two others on this tune.

Jackson Browne – Red Neck Friend (For Everyman, Elektra, 1975)

Eight bars of guitar and then it’s straight rock and roll right to the last drum beat. Decidedly un-Jackson Browne, in my book, and no doubt covered by a few million bar bands since the 1970’s. Great piano, too.

James Taylor – How Sweet It Is (To Be Loved By You) (Gorilla, Warner Brothers, 1975)

The credits say Keltner shared the drum duties with Jim Gordon but it’s hard to hear exactly how that happens. Maybe there’s one of them on tambourine? Even so, it’s a tasty shuffle with Carly doing background vocals and Sanborn on sax. Reminds me of summertime…

Carly Simon and James Taylor – Mockingbird (Hotcakes, Elektra, 1974)

A case of the remake beating the original with Carly and James reversing roles on this one (it appears on Carly’s album with James credited as the background singer). Just like Steve Gadd’s four-on-the-floor in “Danny’s All-Star Joint,” this proves that a funky drummer doesn’t have to show off…just a clean funky beat, cowbell in hand, thank you.

Seals and Crofts – Yellow Dirt (Summer Breeze, Warner Brothers, 1971)

Seals and Crofts have been much-maligned for being too soft to be called rock and roll but, in fact, they could get a little funky. The drums and pianos work together nicely here as Keltner lays down a slow groove. I love the group picture of all the happy hippies on the inside cover of the album.

John Lennon – I Don’t Want To Be A Soldier (Imagine, Apple, 1971)

Most bios of Keltner immediately refer to his work with three of the four Beatles (sans McCartney) and it’s true. He was a favorite of that gang (and their accessories like Harry Nilsson) for his diversity and ability to adapt to any style. Dirty groove is the best way to describe this one.

George Harrison – Give Me Love (Living In The Material World, Apple, 1973)

Having heard this song a billion times, I’ve never once paid attention to the drum part until today. And, truth be told, it’s one of the more complicated and tasty in Keltner’s repertoire. Funky but delicate and light of touch, this really is a masterpiece. (And there’s a “Jim Keltner Fan Club” logo on the back!)

Nilsson – Daylight Has Caught Me (That’s The Way It Is, RCA, 1976

This is another deceptively intricate drum part that doesn’t stand out against the vocals and piano. But, give this a listen with your ears focused on the drumming and you’ll him changes styles a couple of times during the song: from straight funk to reggae to rock and roll and back again. Once more, great hi-hat work.

Elliman – Sally Go ‘Round The Roses (Night Flight, RSO, 1978)

OK, this one’s a little off the beaten path. Who’d have thought Keltner would be in the company of a pop star like Yvonne Elliman? But, then again, she’s not so far afield. She sang with Clapton and hung with Delaney and Bonnie, all part of Keltner’s circle. But, stylistically, it’s definitely a stretch.

Joe Cocker – The Letter (Mad Dogs and Englishmen, A and M, 1970)

I freely admit this is a guess: Jim Gordon and Jim Keltner are credited equally for drumming on this record without pointing to specific songs. But this sounds an awful like Keltner’s style…if not, does it really matter?

All these cuts come from my well-worn record collection. Want cleaner copies? Buy the CD’s or download the tracks at Amazon.

My set of tunes featuring Steve Gadd was so well received I thought I’d dive into a series of posts featuring great session drummers. Here’s a (short) dozen from Jim Keltner.

Steely Dan – Josie (Aja, MCA, 1977)

This should probably be the finale in this set, not the opener. Notoriously finicky, Becker and Fagen put Keltner to the test on this one and he scored an “A”. Block out everything and listen to the high hat work – he mixes eighths and sixteenths from measure to measure with the grace of a Jack DeJohnette.

Leon Russell – Lay Right Here In Heaven (Will O’ The Wisp, Shelter, 1975)

This copy is a little too dirty to hear the nuances but it’s still a great groove: “Sometimes I feel like bitin’ your toes, heaven knows, anything goes”. Keltner actually shares the drum credit with two others on this tune.

Jackson Browne – Red Neck Friend (For Everyman, Elektra, 1975)

Eight bars of guitar and then it’s straight rock and roll right to the last drum beat. Decidedly un-Jackson Browne, in my book, and no doubt covered by a few million bar bands since the 1970’s. Great piano, too.

James Taylor – How Sweet It Is (To Be Loved By You) (Gorilla, Warner Brothers, 1975)

The credits say Keltner shared the drum duties with Jim Gordon but it’s hard to hear exactly how that happens. Maybe there’s one of them on tambourine? Even so, it’s a tasty shuffle with Carly doing background vocals and Sanborn on sax. Reminds me of summertime…

Carly Simon and James Taylor – Mockingbird (Hotcakes, Elektra, 1974)

A case of the remake beating the original with Carly and James reversing roles on this one (it appears on Carly’s album with James credited as the background singer). Just like Steve Gadd’s four-on-the-floor in “Danny’s All-Star Joint,” this proves that a funky drummer doesn’t have to show off…just a clean funky beat, cowbell in hand, thank you.

Seals and Crofts – Yellow Dirt (Summer Breeze, Warner Brothers, 1971)

Seals and Crofts have been much-maligned for being too soft to be called rock and roll but, in fact, they could get a little funky. The drums and pianos work together nicely here as Keltner lays down a slow groove. I love the group picture of all the happy hippies on the inside cover of the album.

John Lennon – I Don’t Want To Be A Soldier (Imagine, Apple, 1971)

Most bios of Keltner immediately refer to his work with three of the four Beatles (sans McCartney) and it’s true. He was a favorite of that gang (and their accessories like Harry Nilsson) for his diversity and ability to adapt to any style. Dirty groove is the best way to describe this one.

George Harrison – Give Me Love (Living In The Material World, Apple, 1973)

Having heard this song a billion times, I’ve never once paid attention to the drum part until today. And, truth be told, it’s one of the more complicated and tasty in Keltner’s repertoire. Funky but delicate and light of touch, this really is a masterpiece. (And there’s a “Jim Keltner Fan Club” logo on the back!)

Nilsson – Daylight Has Caught Me (That’s The Way It Is, RCA, 1976

This is another deceptively intricate drum part that doesn’t stand out against the vocals and piano. But, give this a listen with your ears focused on the drumming and you’ll him changes styles a couple of times during the song: from straight funk to reggae to rock and roll and back again. Once more, great hi-hat work.

Elliman – Sally Go ‘Round The Roses (Night Flight, RSO, 1978)

OK, this one’s a little off the beaten path. Who’d have thought Keltner would be in the company of a pop star like Yvonne Elliman? But, then again, she’s not so far afield. She sang with Clapton and hung with Delaney and Bonnie, all part of Keltner’s circle. But, stylistically, it’s definitely a stretch.

Joe Cocker – The Letter (Mad Dogs and Englishmen, A and M, 1970)

I freely admit this is a guess: Jim Gordon and Jim Keltner are credited equally for drumming on this record without pointing to specific songs. But this sounds an awful like Keltner’s style…if not, does it really matter?

All these cuts come from my well-worn record collection. Want cleaner copies? Buy the CD’s or download the tracks at Amazon.

Recorded live at The Buddha Barn, Tuesday, July, 24, 2007 – Shout-out to Chris The Satellite Guy…

• Bobby McFerrin – Good Lovin’ (Simple Pleasures, EMI, 1988)
• Flatt and Scruggs – My Little Girl In Tennessee (The Original Foggy Mountain Breakdown, Mercury, 1968)
• Santana – Persuasion (Santana, Columbia, 1969)
• The Fifth Dimension – Wedding Bell Blues (Fifth Dimension Live, Soul City, 1971)
• Elvin Bishop – Struttin’ My Stuff (Struttin’ My Stuff, Capricorn, 1975)
• The Doobie Brothers – Livin’ On The Fault Line (Livin’ On The Fault Line, WB, 1977)
• The O’Jays – Usta Be My Girl (Power of Love, TSOP, 1978)
• Roy Buchanan – Okay (A Street Called Straight, Atlantic, 1976)
• Stonewall Jackson – Smoke Along The Track (Dynamic Stonewall Jackson, Columbia, 1959)
• The Rolling Stones – Dead Flowers (Sticky Fingers, Rolling Stone, 1971)
• Buffy Sainte-Marie -Hey Little Bird (Fire and Fleet and Candlelight, Vanguard, 1967)
• Jim Croce – One Less Set of Footsteps (Life and Times, ABC, 1973)
• Nick Lowe – One’s Too Many (Nick the Nife, Columbia, 1982)
• Joan Armatrading – Me Myself I (Me Myself I, A and M, 1980)
• Joe Cocker – Talking Back To The Night (Sheffield Steel, Island, 1982)
• Yvonne Elliman – Walk Right In (Rising Sun, RSO, 1975)
• Fun Boy Three – Our Lips Are Sealed (Waiting, Chrysalis, 1983)
• Elvis Costello and The Attractions – I Hope You’re Happy Now (Blood and Chocolate, Columbia, 1986)
• Blondie – I Know But I Don’t Know (Parallel Lines, Chrysalis, 1978)

Return of the LLLL.I.S.P.