Posts Tagged “neil diamond”

American Recording Studios (also known as American Sound Studios) was the creative domain of guitarist, producer and songwriter Lincoln Wayne “Chips” Moman.

Moman began his career as a touring guitarist, backing up Bill Black’s Combo, the Mar-Keys, Johnny Burnette and Gene Vincent. From there, he aligned with Satellite Records (predecessor of Stax Records), where he wrote and produced the label’s first hit single in 1960, Carla ThomasGee Whiz. After producing a hit for Volt, Burnt Biscuits by the Triumphs (which included a young Al Green), Moman bolted from Volt over a money dispute and founded American Recording studios in 1962.

From 1962 through 1973, American Recording Studios was the de facto home of the Memphis Sound, turning out hits by the Gentry’s, Sandy Posey (who was, at one time, Moman’s receptionist) as well as the Box Tops, Merillee Rush, Neil Diamond, Dusty Springfield and Dionne Warwick. The King, himself, cuts parts of Elvis in Memphis at American, with Moman behind the board for Suspicious Minds and In The Ghetto.

From 1967 to 1971, American placed 120 singles on the Billboard charts including:

BJ Thomas - Hooked On A Feeling
Neil Diamond - Brother Love’s Traveling Salvation Show
The Box Tops - Cry Like A Baby
Elvis - Kentucky Rain
Elvis - Suspicious Minds
Neil Diamond - Holly Holy
Joe Tex - I Gotcha
Merillee Rush - Angel of The Morning
Joe Tex - Skinny Legs And All

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As much as I enjoyed listening and learning and sharing the genius of Hal Blaine through his Top 10 records of the 1960’s, none of them had the70-m-drums.jpg significance in my life as these few songs from 1970. These six songs, to my ears, personify the best of pop music of the time.

Maybe I’m simply getting old and starting to sound like my Dad (who claimed that “no one before or since could sing like Peggy Lee”). Maybe it’s the immediate comfort I feel listening to them, being transported back to my youth when little but baseball and music much mattered. (Truth is, music and baseball, shared through and with my family, are still my great passions today). Maybe it doesn’t matter why I think these are six of the best ever.

Whatever the root, whatever the cause, here are the Top 10 songs Hal Blaine played on in 1970. Listen and love.

Simon and Garfunkel - Cecilia (#4)

I grew up in Upstate New York where it got really cold really early and stayed cold for a long time. Being addicted to sports of all kinds, I found things to do with my time: football until the snow was too deep to run in, street hockey on the side streets were they employed the all-natural “drive on it ’til it thaws” method of plowing. But, like Rogers Hornsby said, most of the winter was spent looking out the window waiting for spring. I distinctly remember throwing open the windows on an April afternoon and playing this full blast on my Sears stereo (that I’d bought with money from my paper route). I’m pretty good at transcribing drum tracks but, to this day, I still can’t figure out how they made this happen. There are hand claps and maracas at bar 3 and what sounds like quarter notes on the bass drum. Otherwise, I’m baffled. But, it’s spring and I’m opening the windows…

Simon and Garfunkel - Bridge Over Troubled Water (#1)

Maybe I should’ve written about this one first, being that it appears on the record before Cecilia.

My wife hates the “Desert Island Disc” game. She thinks it’s stupid: “I don’t live on a desert island and, even if I did, I certainly wouldn’t be worried about what records I have. I’d be worried about how to get the hell off…”. It’s really surprising we’ve been happily married for so long.

I’m not a big fan of the game myself, truth be told. Not because I don’t have a list of records I’d take; it’s because there’s not a boat big enough to take all the records I would need.

But, I know this album and, specifically, this song would be the first on the list, hands down, no question. My older brother, a pianist, for whom I owe much of my earliest musical influence, used to play this song. The lyrics — “when you’re weary/feeling small/when tears are in your eyes/I’ll dry them all” — are so universally poignant. Art Garfunkel’s voice, like that of an angel, never before and never since has been as captivating. It embodies everything about the decade that had just passed: the end of the innocence of my brother and his friends, the need rather than the desire to lay down arms, the weariness that came with experiencing a lost — or seemingly lost — cause.

Musically, it starts so quietly and becomes so big. First, piano. Then, vibes. Then, crashing cymbals and explosions in the background. Then, the harmonies and the strings and the beating of the toms in the background, explosions all along the way. To this day, it still gives me chills every time I hear it.

The Carpenters - Close To You (#1)

I think wisdom is the ability to admit your childhood foibles — including the ones you commit as an adult — without embarrassment. As a somewhat geeky though, I’m told, cute kid, I was insanely jealous of some of the guys in school who I thought were better looking Better stated: I was jealous of the ones who had the ability to talk with girls as if they were actually human not beings from another planet. This song made me jealous…all those birds suddenly appearing whenever those guys walked into the room.

I remember seeing Karen Carpenter sitting behind a drum set, lip syncing this tune on the TV. I couldn’t understand why Hal Blaine was credited as the drummer. Was he dressed as Karen Carpenter? What I love about the drumming on this song is the sound of the toms…he hits them about 3 times through the whole song…and they sound perfect!

The Carpenters - We’ve Only Just Begun (#1)

I posted on this song recently as part of my 20 Guilty Pleasures list, saying it reminds me of my brother-in-law and a can of Coors beer. But, all bets are off when you listen to it with a “karaoke ear”. What I mean is this: close your ears to everything on the record except the drums. Great tom sound at :31; he gets way funky at :57 and I spent years trying to work out the exact timing of the breaks at 1:24 and 2:18. (He comes in on the “and” of “three” on the first break but the “and” of “two” in the second break. Bastard!).

Neil Diamond - Cracklin’ Rosie (#1)

I just realized who Crackin’ Rosie is: she’s a store-bought woman! Am I an idiot?

Being that my first knowledge of Neil Diamond came with (ugh) Jonathon Livingston Seagull, it’s still hard to believe he was a sex symbol at one time. But, it’s true. Women in my sister’s group of grown-ups (now in their mid-50’s) got a real wiggle in their knickers when Neil sang “Oo, I love my Rosie child”. That and the guy who starred with Marcus Welby on that doctor show.

The 5th Dimension - One Less Bell To Answer (#2)

No one before or since could sing like Peggy Lee Marilyn McCoo.

Yes, that’s a picture of me, circa 1970, ready to score the next big hit. Hal, eat your heart out.

Namaste,
The Music Junkie at Fusion 45

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Ah, 1969. Deep in the heart of being seven years old, oblivious to the struggles of love, money or power, scratching out 6’s and 7’s on that green paper with the really WIDE lines, relating to Bill Cosby’s take on childhood (”And now Richard will tie his tie”).

My Mom and Dad woke me up in the middle of the night to watch Neil Armstrong walk on the moon while my beloved New York Mets sent the earth into a new orbit by winning the World Series (after being 9 games out of first place in the middle of August).

Noted celebrities died and others took their place: Jennifer Anniston took over for Judy Garland, Linus Torvolds stepped in for Mies van der Rohe and Ike stepped aside so Matthew Perry could take the spotlight.

While riots broke out in Watts and love broke out at Woodstock, the Wrecking Crew did their best to make the world safe for pop music.

Henry Mancini - A Time For Us (Love Theme from “Romeo and Juliet”)

This was one of my favorite songs at the time, probably because my piano-playing older brother (who was off to college that year) would play it for me when he came home to visit. I never got further than the right hand melody, myself.

Tommy Roe - Dizzy

Tommy Roe - Jam Up, Jelly Tight

“Dizzy” is still in hot rotation around our house, part of the Autunes collection. What a great big booming lovely reverbial drum sound. (I used the expression “Jam Up, Jelly Tight” one night at the dinner table and got the classic “curious dog” look from my five-year old.)

Gary Puckett - Young Girl

Gary Puckett - This Girl Is A Woman Now

“Cousin Dupree” before is could be stated that obviously.

[Errata: "Young Girl" is actually '68. "This Girl Is A Woman Now" is '69. Funny, the same comment still applies.]

Neil Diamond - Holly Holy

Say what you will about the sad fate of Neil Diamond: this was one sexy, soulful record. I remember buying the single and playing it over and over. It all came back to me when I listened again last night.

Glen Campbell - Galveston

An original Wrecking Crew guitarist in front of the Wrecking Crew doing a Jimmy Webb tune. Brilliance guaranteed.

The Fifth Dimension - Wedding Bell Blues

The Fifth Dimension - Aquarius

Aforementioned big brother is named Bill. I was pretty sure this song was talking about him.

And, while once taking a trip to see said brother at college, I soothed our restless German Shepherd, Bootsy, in the back of the station wagon by singing “Aquarius” over and over for about 4 hours. Didn’t soothe my Dad, though.

Would it be a stretch to suggest that The Fifth Dimension was, in a way, the manifestation of all the efforts of the Civil Rights movement: black singers, a white songwriter, a mixed bag of nationalities in the band singing about a new age dawning? Maybe, but we’ll keep hoping.

Namaste,
Music Junkie at Fusion 45

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