Posts Tagged “isley brothers”

Lion DJ by Spassmonkey

Along with my regular F45 features (Classic Recording Studios, Great Session Players, Great Record Producers, Rock And Roll Hit & Lit), I’m going to drop in a few long-form mixes here and there. That’s what I posted on F45 exclusively for the quite awhile, dating back to my debut in December 2006 (which you can still hear here).

It’s been 6 months or so since I was last in the studio, so I’m a little rusty. The mixes aren’t so tight and the flow is a little weird. But it’s not bad. Hope you enjoy it.

For really great mixes, check out Adam Weatherhead’s Diddy Wah.

Today’s Mix

Webb Pierce – Hideaway Heart
Sergio Mendes – Bim-Bom
Isley Brothers – What It Comes Down To
John Kay – Somebody
Sly And The Family Stone – Somebody’s Watching You
Jose Feliciano – Compartments
Strawbs – Where Do You Go?
Sons of Champlin – Hello Sunlight
The Temptations – I Could Never Love Another (After Loving You)
Bert Kaempfert – Hold Me
Pretenders – Talk Of The Town
Lou Reed – Walk On The Wild Side

Photo by Spassmonkey

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Throw Her Off By Actually Asking Permission

“I have a confession,” I said to my wife as she sat at the kitchen table, writing out the kid’s morning chore list. “I’m a sick man”.

She looked up from her yellow pad and scratched the top of her head with the pencil, giving me her is-this-going-to-be-a-confession-about-an-old-girlfriend look. I took that as a cue to go on.

“I was looking at the classifieds,” I said, “and saw there’s a garage sale going on about 10 miles from here. It starts in about 15 minutes, ” I continued, “and, um, they have records”.

The look on her face went from old-girlfriend to new-kitchen (with-the-money-he-spends-on-music). I figured I’d better keep things moving.

“C’mon,” I said, “it’s fun for me. My cavemen ancestors hunted wild board. I look for a mint-condition copy of the first Talking Heads album.”

“Well,” she said, closing with her I-can’t-win-this-one look, “boy have to have their fun.”

“So I can go?” (It’s not my typical M.O.; usually I just leave and answer questions later).

“Of course, you can. You’re a grown man; you can do whatever you want to do”.

Having accomplished my goal I decided to save my own favorite facial expressions (the who-are-you-trying-to-fool look) and thought better to simply wheel and head fro the door.

“But take your son with you,” she said, “I want him to witness first hand why they’re going to put you away.”

Me and You, Boo

“This is one of my favorite things to do,” my shaggy-headed boy said, as we got into the car.

The night before, when we were walking the dog, he said I was his favorite person in the whole world. He’s 10, about 5′2″, with enough curly blond hair for three kids and a winning smile. He’s firmly planted in a world where he still loves Legos but is aware of girls (and is thoroughly confused as to why anyone would want to be sexually active). He plays baseball like a teenager and still sleeps with stuffed animals.

But today, he justs wants to hang with Daddy at garage sales.

Stop #1: I Kinda Wish I’d Haggled for That Baseball Glove

Our first destination proved worthless. There were two boxes of 78’s but I’ve no interest in that action. The 33’s were all bad Christian music. (Note: For those who are wondering, by that I mean bad music made by Christians, not music made by bad Christians).

There were a couple of leather baseball gloves for which they wanted $15 apiece; I probably could’ve gotten the pair for that but I wasn’t in the mood to haggle (and now that my cheap lost-and-found Louisville Slugger pleather softball glove is torn, I regret it. Oh, to find the 1985 Rawlings Dale Murphy that was stolen last fall).

Stop #2: The Long And Winding Road

After spending a few minutes looking at 5 cent juice glasses and a $50 commode (like I’d spend 5 cents on a used toilet), we decided we’d take the back way home and see what we could find. Stop #2, down a long winding road off the highway, we hit paydirt: Bill Withers Just As I Am; Otis Redding The Dock of The Bay; Johnny Nash I Can See Clearly Now and Kenny Rogers & The First Edition Ruby, Don’t Take Your Love To Town.

Stop #3: The Yard Sale Motherlode

Once a year the mobile home park people get to have a rummage sale. No music but a 25 cent watering wand for the Buddha Garden and a 50 cent copy of A League of Their Own (and an interesting conversation with the boy about the relative merits of living in a mobile home. He determined there are very few).

Stop #4: Homeward Bound

A $3 copy of a 6-year old Indiana Jones video game he’s played once. Used his own money, though, and was quite proud of his purchase. Total spent between us: $5.75. But, as they say, it was priceless.

Some select cuts from our haul plus a few I mentioned in my Vinyl Record Day post.

Isley Brothers – Vacuum Cleaner
I had to laugh when I saw this title.

The Impressions – This Is My Country
Biting sarcasm from Curtis Mayfield and Company from the album cover down to the last song.

Otis Redding – I’m Coming Home
A great one from a great great set.

Johnny Nash – Ooh Baby You’ve Been Good To Me
Probably did more to bring reggae to the masses than Bob Marley himself.

Kenny Rogers And The First Edition – Once Again She’s All Alone
Most interesting thing about this album is that the drummer is credited as being Mickey Hart. That one sent me scrambling to the wikipedia. Turns out his name was Mickey Jones. Someone smokin’ a little too much of the wacky tabacky over there at Reprise. Good thing Sinatra didn’t hear about that.

Dwight Yoakam – 1000 Miles
I like Dwight.

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Wherein Fusion 45 Contemplates The True Meaning of Vinyl Record Day

Tuesday, August 12 is Vinyl Record Day. My wife laughed when I told her this. She seemed to find it funny (though not nearly as funny as Vinyl Pants Day, which got a real laugh out of her).

Within the singularly obsessive community of music bloggers who dabble in vinyl – that is, old folks, mostly old guys, who think a musty box of records at a garage sale is nirvana – the fact of Vinyl Record Day is something like Gay Pride Day: a chance to come out of the closet (or perhaps the basement) and put an OFFICIAL stamp on an unofficial obsession. For those us who decide to do it wearing pumps and a feather boa, it could very well be a dual coming out party.

It’s a chance to consider the pros and cons of this fixation we have with these 12″ circles of black polyvinyl chloride, to account the many dollars spent, to exhalt in the many hours indulged, to witness the broken relationships over music tastes (her: the Ramones; me: Van Morrison). It’s a time to “see the big picture,” as they say, which, given the demise of decent album artwork since the advent of the CD, seems a rightful way to put it.

It all started somewhere: I can’t say for sure but I think my first album purchase happened in the summer of 1970, just before I turned seven. There was a place about 3 or 4 miles away from my house called Danny Discount. My family patronized Danny Discount not only for the extremely cheap vinyl shoes but for the fact that Dad was an advertising salesman and Danny was one of his customers.

To this day, I can still bring to mind the smell of the place as I walked up the ramp to the modified wearhouse where it was located: like a badly mixed Kiss album, it smelled of stale popcorn, cotton candy, mildew and formaldehyde (from all those vinyl shoes, which I believe deserve their own day, as well).

I bought a lot of records from Danny Discount over the years: my copy original copy of Takin’ It To The Streets, which I still have, was purchased there. I distinctly remember pondering many times whether to purchase Neil Diamond’s Hot August Nights as my parents hauled out cases of Diet Rite soda and car batteries. (I didn’t buy it…and still don’t own it….yet).

But the very first purchase was the Partridge Family album. I would later become extremely jealous of that holy triumvirate of pre-teen-girl-attention-stealing pretty boys (David Cassidy, Donny Osmond and Tony DeFranco) but, at seven, it was not an issue. I Think I Love You, sung in such a desperate voice, was actually something I related to back then.

To say I’ve lost count of the records that’ve passed through my hands since the David Cassidy years is quite a statement since I’ve spent many hours doing just that: counting and cataloging and organizing. Alphabetical by artist is always best (with Steve Miller Band under “M”, bonehead); by genre is easily the worst (where the hell do you put Living Color?).

At the peak of my record collecting obsession, I owned somewhere in the neighborhood of 5 or 6-thousand records. Tons of promos from radio stations where I worked, tons of stuff inherited from format changing stations, some never pulled from the jackets. That was fine while living in one place but once I started moving around I had to seriously consider the value of hauling around a complete library of Switch records.

Sometime around 1995 or so (gasp!) I dumped a few thousand on a used record store somewhere on the east side of Syracuse, New York. Those that were left have been torn from each other like brothers in separate foster homes: half of them are here with Dad in Washington, living well in the nice cool confines of the Buddha Barn while the other half are staying at Grandmom’s house.

I’ve considered taking PayPal donations here on the site for the purpose of uniting these sadly separated siblings, kind of like UNICEF for the vinyl generation. Bring The Records Home! Perhaps yellow magnetized ribbons for the back of your car. Why should the military be the only one to co-op Tony Orlando? We loved him first!)

My last purchase was a quartet of albums I picked up at a yard sale a few weeks ago: the very first Isley Brothers record onT-Neck (The Brothers: Isley); a scribbled-upon copy of Dwight Yoakam’s Hillbilly Deluxe; a hacked up version of the ImpressionsThis Is my Country and a copy of James Brown’s Sex Machine (Recorded Live at Home in Augusta, Georgia With His Bad Self).

My daughter and I had gone off for our weekly pony ride at my friend Julia’s farm. Whenever we’re together on the way to visit Texas and Daffodil, the floodgates open for her and she talks almost constantly about everything that’s on her mind. I don’t remember much about what she says — there’s so much of it — but I hear the rhythm of her speech in my dreams. It’s our time together in the mix of soccer games and baseball games and violin lessons and school work.

We were on our way home when we found this sale: she got a few stuffed animals, I got a few albums and we got two hours together.

The memories that go with the music and the records has more impact, sometimes, than the records themselves. And, in the end, that’s really what all this is all.

With love for the Car-Dog.

The Partridge Family – I Think I Love You

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