Posts Tagged “grateful dead”

Every now and then, I’ll find the odd playlist laying around, scribbled on a cocktail napkin or a scrap of paper or a football. Some I’ve recorded while others were just “fantasies” (like the one where I mixed Enrico Caruso’s Faust with Dwight Yoakam’s Fast Cars).

I found this one as I was poking through my records, scribbled on the back of the Korgis Dumb Waiters album.

I was able to lay my hands on most of the tunes.

Here’s the list exactly as it was written in F45 shorthand, complete with misspellings, x-outs and weird capitalizations:

SOUTHSIDE - Ain’t

BOB JAMES - Shamboozie

STEELY - News

JOE JACKSON - Can’t

BEATLES - LOVE ME

TTD - Wishing

Johnny Nash - Stir

Ziggie - Tommorrow People

Sting - Set Th Free

Simon - Late

Winwood - Freedom

CSN - Southern

Band - The Wt.

Steely - Rikki

Band - Shape I’m

Wilburys - End of the

Dead - Touch

ARTWORK: Structure I (paper collage, 25 x 23, 1969) by Jack N. Mohr

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I have a folder full of music on my network that I’ve yet to integrate into the master drive. The MASTER DRIVE is where all the MP3s I own live together in a way that I only wish people could co-exist. You know: really bad Top 40 songs hanging out with Sonic Youth; honkies and niggers and chinks and spics all digging it together in the tall grass, sun shining, everybody happy.

These songs in ERRANT FOLDER #90026 07.24.08 are still waiting for integration, like Muslims arriving in America after 9/11, except songs can be integrated with the push of the button and racism is overturned at a glacial pace. We’ll live in hope.

Within ERRANT FOLDER #90026 07.24.08 there are sub-holders holding the Watson Twins, James Hunter, John Mellencamp and Sarah Vaughan and, like Prince Albert in A Can, they’ll need to be let out. Then there are 1509 orphans.

Sort by song and you get “40″ by U2 at one end and Zydeco Clowns On The Lam by John Ellis at the other end. I recorded “40″ from a cassette tape of War and I downloaded John Ellis from eMusic.

Sort by time and I found this: at one end, the introduction to Leon Russell’s Carny album, clocking at a well-worth-listening-to 45 seconds. I wouldn’t go so far as to say “I’m an enigma” because it sounds rather haughty. But I have enigmatic tastes and I think weirdness should be promoted along with sanity (and, hopefully, the two will marry and come out somewhere reasonably left of Ronald Reagan). This song does the job.

Not surprisingly, the other end of the long-and-short spectrum gives us the Grateful Dead. The Dead are good for traffic so let me mention them again, this time with a link: GRATEFUL DEAD!

I never saw a Dead show though I know people who have (and try to cover their weirdness with sweaters from Patagonia). But, I get the vibe thanks to the way they did their deal, letting people tape them all along. The Dead lived by the new music business model long before anyone else…and you never REALLY own it anyway, do you?

ERRANT FOLDER 90026 07.24.08 thanks you.

Leon Russell - Carny

Grateful Dead - Dark Star/China Cat Sunflower

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For a town inhabited by just 2,000 people and covering just 4 square miles, Watkins Glen, NY is a pretty famous place.

Winos (and their hygienically advanced brethren, wine connoisseurs) know the wineries that surround the Glen produce some of the best wine to ever say ‘hello’ to a cork. Fans of fast cars and loud noises know that the Watkins Glen International Raceway was where Mario Andretti became the first American to win the U.S. Grand Prix in 1977.

And rock and roll fans know that the biggest rock and roll concert in history — Summer Jam At Watkins Glen — started 35 years ago today at the very same spot.

I grew up just 15 miles south of the Glen, in the big city of Elmira, so even though I was just 10 years old at the time, I remember Summer Jam vividly.

I remember clearly the photos of the concert splashed across the front page of the Elmira Star-Gazette, the local newspaper where my father worked*.

I remember the thousands of cars parked along route 17, the “flower children” hitching up route 14, the micro-buses full of people, like hippie clown cars at a circus, the young cats in bell-bottoms flashing peace signs at us at the local convenience store.

The older sister of my best friend worked at the screen printing shop that made the concert posters and t-shirts. I don’t need to Google the concert to remember it was the Band, the Dead and the Allman Brothers who were playing. I remember her wearing that shirt for years afterward.

Musically, the Dead and such could’ve been Eastern European death metal for all I knew; I was into Top 40 and that’s about as far as I went. But, culturally, I remember a being fascinated by the whole scene. Though they didn’t go to the concert, my sister and brother were 19 and 22 at the time; I’d seen a lot of hippies pass through my life already.

To see 600,000 of them all in a row, though, now that was something.

Grateful Dead - Watkins Glen Soundcheck

Photo Source: Grant Gouldon’s Flickr page

*I don’t see anything today on the home page of what Dad used to call “the Starry Eyed Gazootsky,” but there is an important report on the annual pirogi festival at St. Nick’s Church. Joe Stanky And The Cadets were the headliners!.

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Some great music happening this weekend around our united states of merry-ka. While my mates from WNEW head to Mitch-igan for the Rothbury Festival to catch everyone and his brother, I’m staying on the beautiful west coast to catch everyone and his sister at the Waterfront Blues Festival.

Tops on my list: Isaac Hayes, Eric Linden, Elvin Bishop, Ruthie Foster, Charlie Musselwhite, Back Door Slam and Rory Block. I’ll be posting for both WNEW and Fusion 45, so keep your ears open for some grooves from the waterfront.

In the meantime, here’s a dirty little blues number from the band that was formed while hanging with Mama Cass watching the Beatles on Ed Sullivan. They also, supposedly, inspired the Grateful Dead to go electric.

From the flip-side of Do you Believe in Magic on Kama Sutra KA-201:

The Lovin’ Spoonful - On The Road Again

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