Between 1961 and 1964, Hal Blaine played drums on 36 Top 10 singles. In 1963 and 1964, alone, he recorded 30 of them. Here’s a selection of 16 that defined the West Coast pop sound that, in turn, shaped everything from ZZ Top to The Ramones.

The Beach Boys - Surfin’ Safari (#3 in 1963)

I was in my late 30’s before I realized that the first line is not “if everybody had an ulcer, across the USA”. This is one of the songs that defined the “four-on-the-floor” bass drum beat you hear in so many surf songs (emulating your heart pounding in your ears, I would guess).

The Beach Boys - Be True To Your School (#6 in 1963)

Blaine’s work on the television soundstage gave him a real symphonic feel, witnessed here by the triangle on the downbeat of every measure.

The Beach Boys - Surfer Girl (#7 in 1963)

I bought their ‘Endless Summer’ album sometime in the early seventies and played this one TO DEATH. I always liked the depth of the snare drum on this record, even though the beat itself is nothing special.

The Beach Boys - Little Deuce Coupe (#7 in 1963)

I’m contemplating a post called: “Songs With Great Opening Snare Drum Riffs”. This, and ‘Pretty Lady’ by Lighthouse, would be the first two.

The Crystals - Da Doo Ron Ron (#3 in 1964)

The original version of a song recorded 736,756 times (in America alone). Best part: the sax and tom-tom duet every measure starting at :20.

The Ronettes - Be My Baby (1963)

I threw it in because Blaine recorded on the original (but this ain’t it).

Dean Martin - Everybody Loves Somebody (1964)

From my Dad’s generation, the 50’s lived-on well into the 60’s (and Dean Martin is partly to blame). Another example of Blaine’s diversity.

Jan And Dean - Little Old Lady From Pasadena (#3 in 1964)

Love the classic eight-note snare pattern at the chorus…

Jan And Dean - Dead Man’s Curve (#8 in 1964)

‘Be My Baby’ but faster (and more morbid…).

Johnny Rivers - Mountain of Love (#9 in 1964)

Well, I love Johnny Rivers. He was the just the right mix of handsome pop star, rock and roller guitarist and cowboy sharpie. There are no great shakes here on the kit, but the song is perfect.

Lorne Green - Ringo (1964)

Herein lays a Cartwright…

The Beach Boys - I Get Around (#1 in 1964)

As radios began to improve sonic choices started to show through, witnessed here by the deeper snare sound.

The Beach Boys - Fun Fun Fun (#5 in 1964)

The great drum roll at :18 and the hi-hat/Telecaster rhythm duet make this song, hands down.

The Marketts - Out Of Limits (#4 in 1964)

I don’t know much about punk rock, but I can imagine The Ramones covering this.

5 Responses to “Great Session Players - Hal Blaine 1963-1964”
  1. This is a great idea, I had no idea Hal BLaine played on so many songs I know so well.
    thanks
    rob

  2. Thanks for dropping by. I didn’t realize his influence, either, until I started doing some research. If you have any suggestions for other drummers, feel free to toss them in. I’m looking at Joe Vitale and Ed Greene but don’t know if I have enough of their stuff in my library.

  3. davyramone says:

    Very nice! I enjoyed the comments almost as much as the music.
    I’d sure like to hear part one of this. Would you please repost it sometime in the future for those of us that came late to the party?

    I’m looking forward to the next one…

  4. Hey! No sweat, Music Junkie. Just caught the apology there… Just to clarify the confusion: I’d tried to leave a comment here at Fusion 45 way back after you’d dropped by to comment on Art Decade, but for some technical reason, “no dice” was the end result.

    I’ve been inactive of late, but i just wanted to send a message of support. Love the blog. As a bit of a Beach Boys nut, i’m vaguely ashamed to confess that i’d no idea that Hal Blaine contributed so much to their sound ; or to the Spector productions i’ve long enjoyed, for that matter. Cool.

  5. Indeed, there was a problem with the comment function here at F45 but it seems I’ve fixed it. Now, I just need to quit deleting them by mistake! ;) The core of my Hal Blaine knowledge revolved around his Simon & Garfunkel/Carpenters stuff; I had no idea how broad a swath he cut through 60’s rock and roll until I started doing the research. He’s probably had as much influence on the course of rock and roll as those with bigger names. I appreciate your support and that you came back to visit. I love being part of this community. MJ@F45

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